December 11, 2009
prettyfoods: (via likeneelyohara) Food+type. My type.

prettyfoods:

(via likeneelyohara)

Food+type. My type.

11:58pm  |   URL: http://overunder.la/post/280024754/read
(No. OF NOTES: 223)
  
FILED UNDER: read food typography breakfast eggs fork knife table 
November 25, 2009
…Vader is. (via)

…Vader is. (via)

9:20am  |   URL: http://overunder.la/post/257102771/daddyvader
FILED UNDER: darth vader typography typographic poster denmark daniel slim 
November 18, 2009
“This isn’t flying, this is falling in style.” Andrea Beato, a portugese grafik designer. via

“This isn’t flying, this is falling in style.” Andrea Beato, a portugese grafik designer.

via

5:13pm  |   URL: http://overunder.la/post/249021573/fallinginstyle
FILED UNDER: poster design typographic typography lisbon portugal andrea beato europe european design graphic grafik 
October 7, 2009
Essential. by Pablo Alfieri

Essential.

by Pablo Alfieri

1:38pm  |   URL: http://overunder.la/post/206944611/playfultype
FILED UNDER: type typography playful whimsical fun 3D physical 
September 20, 2009
Tim Fishlock. Modern type-design.

Tim Fishlock. Modern type-design.

12:23pm  |   URL: http://overunder.la/post/192741356/fishlock
FILED UNDER: type design design typography type graphic modern modernism 
September 4, 2009
via Yasly’s Blog Yes, contemporary posters are starting to look like broadsheets. Which is what some students at ArtCenter is slowly migrating to. Its the conversion between condensing most A7 publications, and the evolution of the POSTER. I know this is a small idea, but it could be the way this “culture” is going. I have recently designed a broadsheet for a subversive publication called “BRIDExPRESS”. Using grids that are typically found in posters, and applying them in a broadsheet format. It creates interesting structures that are not really suitable for posters that are meant to be read 20-50 feet away, although it creates appeal that these “posters” are also meant to be read up close. It invites the viewer from long- distance, into short-distance.

via Yasly’s Blog

Yes, contemporary posters are starting to look like broadsheets. Which is what some students at ArtCenter is slowly migrating to. Its the conversion between condensing most A7 publications, and the evolution of the POSTER. I know this is a small idea, but it could be the way this “culture” is going. I have recently designed a broadsheet for a subversive publication called “BRIDExPRESS”. Using grids that are typically found in posters, and applying them in a broadsheet format. It creates interesting structures that are not really suitable for posters that are meant to be read 20-50 feet away, although it creates appeal that these “posters” are also meant to be read up close. It invites the viewer from long- distance, into short-distance.

2:28pm  |   URL: http://overunder.la/post/179884560/broadsheet
FILED UNDER: posters broadsheet design graphic design layout grids typography 
July 5, 2009

5:58pm  |   URL: http://overunder.la/post/136102411
FILED UNDER: type, typography custom display 

7:29am  |   URL: http://overunder.la/post/135855466
FILED UNDER: todo, interactive, typography design digital 
LIAR!

LIAR!

3:29am  |   URL: http://overunder.la/post/135785059/liar
FILED UNDER: typography type modernism